Blade Runner 2049

‘Blade Runner 2049’ and ‘War for the Planet of the Apes’ lead the feature competition with seven nominations apiece. Baby Groot, a digitally created Sean Young and lots of apes are among the visual effects feats vying for honors at the 16th annual Visual Effects Society Awards, which will be presented Tuesday at the Beverly
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THR’s Producer Roundtable airs Sunday morning on SundanceTV. The Hollywood Reporter‘s Producer Roundtable features superproducers including Judd Apatow, Amy Pascal, Jason Blum, Eric Fellner, Seth Rogen and Ridley Scott debating tough decisions, surprise successes and sexual harassment in Hollywood: “No, I don’t think [Weinstein]’s an outlier.” Viewers can watch the roundtable discussions Sundays on SundanceTV as
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Gregory Plotkin, Tatiana S. Riegel and Joe Walker share their approaches. [Warning: The following story contains mild spoilers about I, Tonya, Get Out and Blade Runner 2049.] Each film in this year’s awards discussion had its own unique editorial approach, whether that be Craig Gillespie-directed I, Tonya, the story of disgraced figure skater Tonya Harding
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Six top filmmakers — also including Patty Jenkins, Denis Villeneuve, Angelina Jolie and Joe Wright — open up about choosing the right projects (“You don’t want to end up in a bad marriage”), firing staff and what it feels like to direct a movie that bombs: “People think you move on, but you don’t.” What
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Donald Mowat also discusses his work on ‘Stronger.’ The work of veteran makeup designer Donald Mowat has appeared in a long list of films, including Sicario, Spectre, Skyfall, Nocturnal Animals and 8 Mile. Here, he talks with The Hollywood Reporter about his work on Denis Villeneuve’s Blade Runner 2049 (for which he served as makeup
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The final weekend of the month was especially brutal as George Clooney’s ‘Suburbicon’ got evicted and DreamWorks’ ‘Thank Your for Your Service’ failed to win over America’s heartland. Following a record September, the October box office was a bloodbath. Revenue for the month won’t crack $560 million, the worst showing in a decade after a
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